Set Construction 101
Building sets is one of the most satisfying aspects of theatre—you're literally creating the world the story inhabits. Here's what you need to know to get started.
Safety First (Always)
Before anything else:
Personal protective equipment (PPE):
- Safety glasses when cutting or sanding
- Ear protection with loud tools
- Dust masks when appropriate
- Steel-toe boots for heavy work
- Gloves when handling rough materials
Tool safety:
- Only use tools you've been trained on
- Keep work areas clean and organised
- Never rush when using power tools
- Report any damaged equipment
Working practices:
- Lift with your legs, not your back
- Get help with heavy items
- Communicate clearly when moving large pieces
- Take breaks—fatigue causes accidents
Basic Materials
Timber
Softwood (pine, etc.): Cheap, easy to work, good for framing and basic construction.
Plywood: Sheet material. Various thicknesses. Good for flat surfaces.
MDF: Medium-density fibreboard. Smooth, good for painting. Creates dust (wear masks).
OSB: Oriented strand board. Cheaper than plywood. Good for hidden structure.
Other Materials
Steel deck: Modular staging platforms. Standard in many venues.
Fabric: Drapes, backdrops, masking.
Foam/polystyrene: Lightweight, sculptable. Needs flame-proofing.
Paint: Lots of it. Water-based for easy cleanup.
Basic Constructions
Flats
Flat panels that create walls. Can be:
- Hard flats: Plywood or MDF on frame. Solid, durable.
- Soft flats: Canvas on frame. Lighter, traditional.
Building a basic flat:
- Build rectangular frame from timber
- Add corner bracing
- Attach face material
- Prime and paint
Platforms (Rostra)
Raised areas for staging levels.
- Need to support performers safely
- Consider weight capacity
- Edge protection where needed
- Non-slip surfaces
Stairs and Ramps
Access to different levels.
- Correct rise and run for safety
- Solid construction
- Non-slip treads
- Handrails where required
Joining Methods
Screws
Most common fastener. Use correct length for material thickness. Pre-drill where needed.
Nails
Quick but less strong. Good for temporary work.
Bolts
For heavy-duty connections. Where strength matters.
Wood Glue
Strengthens joints. Use with mechanical fasteners for best results.
Brackets and Plates
Steel reinforcement for joints. Various types for different applications.
Painting Scenery
Preparation
- Fill holes and gaps
- Sand smooth where needed
- Prime (especially MDF, which drinks paint)
Base Coat
Coverage first. Usually several coats.
Scenic Techniques
- Spattering: Flicking paint for texture
- Sponging: Textured application
- Graining: Creating wood effect
- Ageing: Making things look old/weathered
Finishing
- Matte finishes usually preferred (reduce glare)
- Seal where durability needed
Scene Changes
Consider how the set will work:
- What moves, what's fixed?
- How will changes happen safely?
- Can cast assist, or is crew needed?
- Sight lines during changes
- Storage when not on stage
Working with Designers
The set designer creates the vision. Your job is to realise it.
- Understand the design intent
- Communicate what's achievable
- Suggest alternatives if needed
- Execute faithfully
The Get-In
When the set goes into the venue:
- Well-planned logistics
- Clear roles for everyone
- Safety awareness (new environment)
- Rigging and flying (specialist skills)
- Testing everything
After the Run
The get-out:
- Strike the set safely
- Store reusable items properly
- Dispose of waste responsibly
- Return borrowed items
- Document what was built (for future reference)
Skills to Develop
- Basic carpentry (cutting, joining)
- Power tool competence
- Problem-solving
- Reading technical drawings
- Painting techniques
- Safety awareness
Welcome to scenic construction—where creativity meets craftsmanship.